Reimagining Ubud’s loose urban boundaries, Loose Footings blurs the line between function and form—inviting public interaction, reinterpretation, and reflection on the ever-shifting nature of city space.

Blending tradition with innovation, Mahendra Yasa redefines painting as a living, evolving medium of reflection and reinvention.

 The artwork acts as a focal point for discussions around the relationship between nature and human cognition, illustrating how art can serve as a critical medium for interpreting and understanding complex ideas.

"Permafrost" reminds us of the importance of taking collective action to preserve cultural heritage.

These aerial creations are more than artistic expressions; they are intricate sculptures that dance with the winds, embodying the spiritual significance of connection between the earth and the sky in Balinese culture.

"ALL THAT FALL" reflects on the process of artistic creation and the challenges artists face in their pursuit of expression.

 "Pupa" takes us on a journey beyond the confines of the canvas, engaging us with an expanse of layers, meanings, and emotions.

Albatross thrusts us into a broader societal introspection, compelling us to examine the paradoxes of our own making.

"Red is the Colour of Salvation" poses a crucial question: why must peace be predicated on violence and bloodshed?

"After 1200°" signifies a major turning point in his creative journey, demonstrating an evolving dialogue with terracotta that pushes it beyond recognizable forms and towards the abstract.