The aerodynamic principles that govern flight are central to Armika’s artistic vision. When wind strikes a kite, it bifurcates, flowing both above and below the kite’s surface. The downward-moving air slows, increasing air pressure beneath the kite and creating lift—the upward force that counters gravity. Simultaneously, the upward moving air accelerates, reducing air pressure above the kite and further enhancing lift. Armika manipulates these forces to create kites that are not only visually stunning but also kinetically dynamic, transforming the sky into a canvas of ever-changing forms.

For Armika, the act of kite making is not merely a technical endeavor but a spiritual and philosophical inquiry. He reflects on the wisdom of his ancestors, who understood the wind, the stars, and the rhythms of nature. “Knowledge that passes through generations from our ancestors existed long before modern academia,” he says. “I don’t think comparing and undervaluing our heritage knowledge makes us more intellectual.” Armika’s work embodies this philosophy, juxtaposing traditional Balinese practices with contemporary approaches.

In Balinese culture, kites are seen as messengers between the earthly and the divine. Armika’s kites carry this spiritual significance, serving as vessels of cultural expression and philosophical inquiry. The pecukan, janggan, and bebean—each with its unique form and symbolism—reflect a narrative structure that is fundamentally different from the linear, realist traditions of Western art. Armika’s work challenges the Eurocentric notion of art as an individualistic endeavor, emphasizing instead the collective knowledge passed down through generations.